I Am Always Here
A hundred pages from the Blackwater Estuary. Large format film, tidal creeks, marshland. A landscape that will outlast all of us.
Foreword by Gemma Padley. Each copy can be accompanied by a 10×8 print.

Projects
All projects →
- 01 What Remains An exploration of relationship — between things, between ourselves and the world.
- 02 I Am Always Here The Blackwater Estuary, walked for as long as I can remember. Now a photobook.
- 03 Landscape of Lament A keen for my father, made in the year after his death. One exposure at each place.
- 04 Echoes A return to the houses, streets and fields of childhood, as they stand now.
Awards
- 2023 Highly Commended, Belfast Photo Festival What Remains · I Am Always Here
- 2020 Shortlisted, BJP / 1854 Portrait of Humanity Grace
- 2020 Winner, Feature Shoot Emerging Photographer Landscape of Lament
- 2017 Winner, Feature Shoot Landscape Print Swap Slieve Coillte, from Echoes
- 2016 Top-rated entry, Magnum Photography Awards Take Refuge
Exhibitions
- 2022 Cluster Photography & Print Fair Oxo Tower, London
- 2022 Autumn Show Geedon Gallery
- 2020 Feature Shoot Emerging Photographer Aperture Gallery, New York
- 2017 Ambient Landscapes, group show Black Eye Gallery, Sydney
- 2020 Sent Into Space The first photographic exhibition in space
Published in
- Ain’t Bad
- Another Place Press
- All About Photo
- Artpil
- British Journal of Photography
- Broad
- C41
- Don’t Take Pictures
- Feature Shoot
- LensCulture
- Of the Land & Us
- PetaPixel
- Portrait of Humanity Vol. 2
- Private Photo Review
- New Landscape Photography
- Subjectively Objective Vol. 131 & 132
Shop
Limited editions, open editions and the photobookAbout
My work is rooted in the landscapes of Britain and Ireland — estuaries, boglands, rural margins, and the quiet spaces where memory lingers.
I was raised by Irish parents in a culture where storytelling was central. I return to the same ground over many years, and some places I walk for months before raising a camera. I work with medium and large-format film and natural light, and alongside the land I photograph people in place — portraits that unfold slowly, in gardens, empty buildings and windswept fields.
I welcome commissions and collaborations with writers, curators and anyone drawn to photography as a contemplative, storytelling medium.
More about me →

